![]() Instead, the producers hired Brendan Fraser, an actor with cross-generational appeal, a fine comic sensibility and a physical stature that complemented the action-adventures and comic-book fantasies to which hes been assigned. The other alternative would be to spend a fortune on stars, locations and CGI, and hope that viewers werent so jaded they couldnt appreciate one more 20-story-tall dinosaur or roller-coaster ride. To make Vernes Journey to the Center of the Earth feel fresh and competitive against a summer slate of CGI popcorn movies, 3D really was the only way for New Line/Walden to go. Optical improvements have allowed filmmakers to stretch their stories well beyond what was believed to be a 45-minute tolerance of tender eyeballs. Todays polarized glasses are compact, comfortable and more importantly, perhaps, much more stylish than previous models, including the oversized, bug-eye lenses required for the IMAX 3D version of The Polar Express. Moreover, its been years since on-screen alerts told audiences when to don their cardboard glasses, and objects in the foreground of a scene looked as if they were shot elsewhere and pasted to fuzzy backgrounds. The 3D format, especially in its large-screen iteration, has already has made the leap from novelty to legitimate entertainment option. While wonderfully entertaining in large part, Eric Brevigs version of Journey to the Center of the Earth couldnt possibly steal the thunder from A Trip to the Moon. Welles) also shaped Georges Mlis “Le Voyage Dans la Lune,” the first film to combine fantasy, technology and visual effects. ![]() Its fitting that sci-fi visionary would have his name attached to the first live-action digital 3D movie ever, as his imagination (and that of H.G. ![]() The format faces another challenge with Journey to the Center of the Earth 3D, the latest of more than a dozen adaptations of the Jules Verne classic for movies, television, video and gaming. In doing so, however, chronically cautious studio executives merely were playing catch-up to such early adapters as James Cameron, Robert Zemeckis, Steven Spielberg, George Lucas, Robert Rodriguez and Jeffrey Katzenberg. Somewhere between Christmas 2004, when IMAX 3D singlehandedly rescued The Polar Express from box-office oblivion, and last Februarys blockbuster one-week engagement of Hannah Montana & Miley Cyrus: Best of Both Worlds Concert, official Hollywood accepted the century-old stereoscopic technique as an idea whose time had come, again. The 3D format, especially in its large-screen iteration, has already made the leap from novelty to legitimate entertainment option. ![]() ![]()
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